Bec Sykes

It’s rare for artists to start turning heads before their debut, but then again, there are few artists like Naarm/Melbourne’s Bec Sykes.

Emerging onto the scene with 2020’s ‘Edithvale,’ Sykes had already been making waves for some time by that point, having won Melbourne label Pieater’s Pie School competition, earning her a mentorship with the label and guidance from one of the country’s most respected artists, Tom lansek.

Such was the strength of Bec’s raw talent; her textured voice echoes with a soulful wisdom, that she was a hit before even unleashing her first piece of public work. But in order to be a successful artist, talent must be matched with work ethic, and Bec possesses both in spades.

Bec Sykes may have already won the industry’s respect before ‘Edithvale,’ but after; she won the fans. The song was soon added to rotation on triple j, and soon found itself opening doors for Sykes, including winning the Josh Pyke Partnership, joining past winners such as Angie McMahon, Alex Lahey, Gordi and more.

As further singles followed, so too did Sykes; her profile continue to rise, writing and recording as she supported names such as Mia Wray, Teenage Dads and Didirri. By 2023, it was time to start working on her debut album, and Sykes set to work with Robert Muiños (Didirri, Julia Jacklin, Rowena Wise) at the Rat Shack (Naarm/Melbourne) with some of the city’s finest indie-folk players: Matt Dixon (The Paper Kites, Hannah Cameron) on pedal steel guitar, Sam Raines (Mia Wray, Didirri) on drums, Brad Ellis (The Hunter Express) on guitar and Ronan Nicholson on bass.

“Intimate, conversational and just quietly heartbreaking.” – The AU Review

Bec Sykes – ‘Last To Know’

The result was Pepperpot Magic (named for a now-defunct fairy/occult shop), an album that is thoughtful, clear; a confident offering from an artist so clearly in control of every aspect of her craft.

Exploring themes of anxiety, recovery, romantic relationships and family trauma through lenses of fear and joy, anguish and relief, the album is underpinned by a reclamation of power after leaving both a relationship Sykes asserts “wasn’t right for me,” and her Christian upbringing.

Grounded with a kind of beauty, refinement and self-assurance that denotes a growth in confidence as an artist and mirrors Sykes’ personal evolution, the 11 tracks that make up Pepperpot Magic see Sykes embracing a sonic environment she had always wanted to create.

Bolstered by the confidence to unlock her artistic capabilities and craft the music she had always dreamed of, Pepperpot Magic underlines a powerful chapter in Sykes’ career, as she heads towards a future feeling bolder, more self-assured, and as powerful as ever.

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