Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade.
Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting herplaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.
On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.
Soccer Mommy – ‘M’
Recording in Atlanta with producer Ben H. Allen III (Deerhunter, Animal Collective, Youth Lagoon, Belle and Sebastian) and told him she wanted to elide synthesisers and digital flourishes this time, favouring acoustic guitars, rich drums, and interweaving flutes. They built basic tracks for half the album as a pair in Allen’s Maze Studios before ushering in her touring band to add more. There were real flutes and real strings, just as Allison had imagined. As the layers and ideas mounted, Allen and Allison focused on peeling them back, on leaving subtle touches that never crowded the sentiments. The songs retain the spirit of the demos, candid and direct.
Allison assembled Evergreen as she crept into her late 20s, that tenuous time where the travails of adulthood suddenly look much closer than the playground of childhood. And during the time since finishing Sometimes, Forever and beginning Evergreen, Allison learned loss is not a monolith. Some days are brutal and others are beautiful, as you take what you have gained from someone who is no longer here and try to carry it ahead, a talisman for whatever may come.
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